Recently, Afrofuturism has been making a global resurgence. Creators in all media forms have been producing speculative narratives that challenge the status quo, remix historical perceptions, and situate the black body as subject. John Jennings (University at Buffalo, SUNY), Stanford Carpenter (Institute for Comics Studies), Regina Bradley (Kennesaw State University), and Jeremy Love (Bayou) ask if the term Afrofuturism still remains the proper designation for invoking ideas of race and cultural production, examining the new notion of the "EthnoSurreal" and how it is comprised of the EthnoGothic and EthnoFuturism. This panel will also tackle the articulation of how these designations are defined and how they can possibly challenge and reimagine ideas around socially constructed ideas regarding racial identity, its visualization, and its consumption through the comics medium.
Sunday July 27, 2014 1:30pm - 2:30pm
Attendance numbers do not account for private attendees. Get there early!